A Detroit type beat gives you the raw, sample-chopped bounce that fits YN Jay flows and lands in your DAW today
Video: [FREE] Detroit Type Beat x YN Jay Type Beat - "Dirty Diana"
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· based on the channel Kooba II
A Detroit type beat is a rap instrumental built on chopped soul or funk samples, hard clipped drums and the loose, bouncy pocket that Michigan artists like YN Jay and Rio Da Yung OG ride. Kooba II's "Dirty Diana" is exactly that: a free Detroit type beat x YN Jay type beat you can download for non-profit use, with the untagged file available through the BeatStars purchase page, where a buy 2 get 1 free deal applies.
What makes a Detroit type beat sound like Detroit
The Detroit sound is defined less by tempo than by attitude: samples get chopped into short, repetitive stabs, drums sit slightly behind the grid, and the low end is clipped rather than smooth. Producers in the lane usually work between roughly 130 and 150 BPM with half-time or double-time hi-hat patterns, so a rapper can switch between laid-back and double-time delivery without the beat fighting back.
Three elements carry most of the weight:
- A vocal or instrumental sample chopped into a loop, often with the original pitch shifted and the tail cut short.
- Kick and snare patterns that repeat without much variation, leaving space for ad-libs and punchlines.
- A bass line that follows the sample rather than the drums, which is what creates the off-kilter bounce listeners describe as "Detroit."
Sample-based Detroit beats are also closely tied to Flint and to the wider Michigan underground, so the same instrumental can be pitched at a Baby Smoove or Rio Da Yung OG audience without changing a single drum.
Inside "Dirty Diana": sample chop, drums and the YN Jay pocket
Kooba II builds "Dirty Diana" around a chopped sample loop and keeps the drums locked in one pocket from start to finish, which is the trait listeners single out first. The sample carries the melody while the percussion stays deliberately repetitive, giving a rapper room for long, conversational verses instead of forcing a hook every eight bars.
That structure suits the YN Jay approach: dense, punchline-heavy rapping with ad-libs filling the gaps. A beat that changes too often breaks that flow; a beat that repeats too rigidly gets boring. The middle ground is a two-bar loop with small dropouts, and that is roughly the shape this instrumental takes. The same file also works as a Flint type beat or a Babyface-type beat, since the tempo and drum character overlap heavily across those scenes.
Free Detroit type beat license terms you need to read before uploading
Free does not mean unrestricted, and the license on this beat is specific. Non-profit use covers YouTube videos and SoundCloud uploads without monetization; streaming services such as Spotify, Deezer, Tidal and iTunes are excluded from the free tier entirely. If you plan to distribute a song commercially, you need a paid lease.
Content ID is the other hard limit: you cannot register a track using this beat with Content ID unless you hold an exclusive license. Doing so triggers a copyright strike, not a warning. Credit is mandatory and should read Prod. Kooba in the title or description of any upload.
A practical checklist before you publish:
- Confirm the platform is YouTube or non-monetized SoundCloud if you are using the free version.
- Add the credit Prod. Kooba in the description.
- Skip Content ID registration unless you have bought an exclusive license.
- Buy a lease first if the track is going to distributors or streaming platforms.
How to buy the untagged file and use the buy 2 get 1 free offer
The untagged version removes the producer tag and is delivered through BeatStars. The purchase link is https://bsta.rs/JKnG5H, and the store runs a buy 2 get 1 free promotion, which effectively means three beats for the price of two if you pick a second and third instrumental from the same catalog.
Steps to complete a purchase:
- Open the BeatStars listing and select the license tier that matches your release plan (lease for streaming, exclusive for full ownership and Content ID).
- Add two more beats to the cart to trigger the buy 2 get 1 free deal.
- Complete checkout and download the untagged WAV or tracked-out files included with your tier.
- Keep the license PDF; distributors and Content ID systems may ask for it.
Leases are typically limited by stream count and term length, so read the tier details before committing to a release schedule.
Common questions producers and rappers ask about type beats
A recurring worry in the comments is whether one sample can support a whole catalog of beats. It can, and it happens constantly: the same chop gets flipped at different tempos, with different drum kits and different arrangements, and each version reads as a separate instrumental. What separates a usable flip from a lazy one is the drum selection and the space left for vocals.
Another frequent doubt is whether a free beat is good enough for a serious release. The audio quality of a free download is usually identical to the leased file except for the tag and the license terms; the limitation is legal, not sonic. Artists also ask how to get attention for a track built on a type beat when the market is saturated. The honest answer is that the beat is the entry ticket, not the differentiator: mixing, hook writing and consistent releases do the rest.
Finally, there is the question of crediting. Producers get found through credit lines, and rappers get a paper trail that proves the beat was licensed. Writing Prod. Kooba in the description costs nothing and prevents disputes later.
Where to find Kooba II and the rest of the catalog
Kooba II publishes free Detroit, Flint and YN Jay type beats and sells untagged files through BeatStars. The main store is https://www.beatstars.com/prodkooba, and new beats and snippets are posted on Instagram at https://www.instagram.com/prodkooba. Following the Instagram account is the fastest way to catch a beat before it gets placed, since popular instrumentals are often pulled from free rotation once leased.
Conclusion
"Dirty Diana" is a free Detroit type beat x YN Jay type beat from Kooba II that pairs a chopped sample with a steady, repetitive drum pocket suited to punchline-driven rapping. The free license covers YouTube and non-monetized SoundCloud with a Prod. Kooba credit, while streaming platforms and Content ID require a paid lease or an exclusive. If you want the untagged file, buy the beat on BeatStars and use the buy 2 get 1 free offer to stock up on instrumentals for a full project. Kooba II is the channel behind the video breakdown, and the BeatStars store is where the catalog lives.
Key takeaways
- Kooba II released "Dirty Diana" as a free Detroit type beat x YN Jay type beat on October 16, 2026.
- The untagged file is sold on BeatStars at https://bsta.rs/JKnG5H with a buy 2 get 1 free offer.
- Free use covers YouTube and non-monetized SoundCloud only; Spotify, Deezer, Tidal and iTunes require a paid lease.
- Content ID registration is not allowed without an exclusive license.
- Credit must read Prod. Kooba wherever the beat is used.
Source: [FREE] Detroit Type Beat x YN Jay Type Beat - "Dirty Diana" · Markdown version
Questions & answers
Can I put a song using this free Detroit type beat on Spotify?
No. The free tier covers YouTube and non-monetized SoundCloud only. Spotify, Deezer, Tidal, iTunes and other streaming services require a paid lease, which you can buy through the BeatStars listing linked in the video description.
Do I have to credit the producer when using the free version?
Yes. The license requires the credit Prod. Kooba, typically in the video or track description. Crediting also helps you if a claim or dispute comes up later, since it documents where the beat came from.
Can I register the beat with Content ID?
Only with an exclusive license. Registering a track that uses this beat with Content ID under a free or standard lease triggers a copyright strike. If Content ID income matters to you, buy the exclusive tier before releasing.
Is one sample enough to build several different type beats?
Yes, and it is standard practice in the Detroit scene. Producers re-chop the same source at different tempos and with different drum kits, so each flip sounds like a separate instrumental. What matters is the arrangement and the space left for the vocal.
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